<p/><br></br><p><b> About the Book </b></p></br></br>A nightmarish vision of otherness, privilege, and social amnesia, the latest from the world-renowned, Prix Goncourt-winning French novelist unveils a small community characterized by absurd kindness, labyrinthine bureaucracy, strange customs, missing persons, and ghostly apparitions.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b>Marie NDiaye is so intelligent, so composed, so good, that any description of her work feels like an understatement. --<em>The New York Review of Books</em></b></p><p>Herman's wife and child are nowhere to be found, and the weather in the village, perfectly agreeable just days earlier, has taken a sudden turn for the worse. Tourist season is over. It's time for the vacationing Parisians, Herman and his family included, to abandon their rural getaways and return to normal life. But where has Herman's family gone? Concerned, he sets out into the oppressive rain and cold for news of their whereabouts. The community he encounters, however, has become alien, practically unrecognizable, and his urgent inquiry, placed in the care of local officials, quickly recedes into the background, shuffled into a deck of labyrinthine bureaucracy and local custom. As time passes, Herman, wittingly and not, becomes one with a society defined by communal surveillance, strange traditions, ghostly apparitions, and a hospitality that verges on mania.</p> <p>A literary horror story about power and assimilation, <em>That Time of Year</em> marks NDiaye once again as a contemporary master of the psychological novel. Working in the spirit of Leonora Carrington, Victor LaValle, and Kōbō Abe, NDiaye's novel is a nightmarish vision of otherness, privilege, and social amnesia, told with potent clarity and a heady dose of the weird.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"For all its elements of pyschological horror, there is something hauntingly real to NDiaye's world, where 'pale, serene, detached, smiling faces hid an inconsolable sorrow.'" <b>--<em>The New York Times</em></b></p><p>"One of NDiaye's early texts, [<em>That Time of Year</em>] serves as a site of play for the writer's longtime interests, from class mobility and assimilation to power and control, and offers an opportunity to survey the development of a writer whose enviably imagined and intelligently executed stories have propelled her into the international spotlight...a haunting lesson about the ease with which a panicked outsider can be lulled into complacency and inaction." <b>--<em>Bookforum</em></b></p><p>"The book, which is a rumination on (and a cackle at) the stark differences between privileged urban and disenfranchised provincial life, feels particularly timely in this moment when the pandemic has altered the norms of cosmopolitan living and sent many urbanites fleeing to the countryside. But <em>That Time of Year</em> is no comedy of manners; the headline of NDiaye's story is not to satirize the crassness of rural newcomers so much as it is about how about how all her characters, when faced with their own specific varieties of isolation are, by force of nature, blind, muddled, incurious, and most of all suspended in their acquiescence....It is [NDiaye's] light, distant touch and the tradition of experimental writing that turns what should be satire into something more spare and thrilling." <b>--Abby Walthausen, <em>The Believer</em></b></p><p>"What at first appears to be a Kafkaesque fable about insiders and outsiders quickly morphs into a metaphysical horror story about the bonds between the living and the dead ... The novel shares some DNA with the Argentinian writer Samanta Schweblin's <em>Fever Dream</em> in its embrace of the fantastic and as a haunting reinvention of the literary horror story ... it left me eager to read more." <b>--<em>Chicago Review of Books</em></b></p><p>"<em>That Time of Year</em> is a thriller of unsettling quiet: about how to disappear into the crowd, to erase your otherness and melt into your surroundings." <b>--<em>Kenyon Review</em></b></p><p>"A study in claustrophobia, a locked-room mystery of sorts, a ghost story without the ghosts, a parable about tourism and power: all of these describe Marie NDiaye's slippery, mesmeric <em>That Time of Year</em>." <b>--<em>Full Stop</em></b></p><p>"Utterly compelling in tone, plot, and style...this gorgeously eerie book will keep you holding your breath even past the end." <b>--<em>Kirkus Reviews</em> (starred review)</b></p><p>"Superb...a biting, brilliant exposé on class and privilege, entitlement and hypocrisy, power and control." <b>--Terry Hong, <em>Shelf Awareness</em></b></p><p>"A blend of psychological realism and the uncanny... <em>That Time of Year</em> is acutely attuned to the themes of our time. It echoes current conversations around entitlement and privilege and shows how those with money know little to nothing of the trials faced by the poor and working class. At a time in America when those with means are flocking from cities to ride out a pandemic in their country homes, setting up inevitable conflicts with locals, it is clear to me that it currently is <em>That Time of Year</em>, and an English version of NDiaye's book couldn't appear at a more important moment." <b>--<em>Barrelhouse</em></b></p><p>"Marie NDiaye is one of my favorite living writers and <em>That Time of Year</em> is yet another shape-shifting masterpiece. Here the disappearance of the protagonist's family is not a mystery to be solved, but rather one that gradually opens a portal into social and psychological terror. NDiaye is a virtuoso of the haunted, the alienated, the submerged, the powerfully strange--and this new novel is as thrilling as it is profound." <b>--Laura van den Berg, author of <em>I Hold a Wolf by the Ears</em> and <em>The Third Hotel</em></b></p><p>"If Kafka decided to join up with Jacques Tati to rewrite Shirley Jackson's "The Summer People," you might end up with something like NDiaye's absurd and dryly comic novel about the perils of staying too long on vacation. <em>That Time of Year</em> progresses with the fluid logic of a dream that, when you scratch its surface, reveals the image of a nightmare beneath." <b>--Brian Evenson, author of <em>Song for the Unraveling of the World</em></b></p><p>Marie NDiaye is so intelligent, so composed, so good, that any description of her work feels like an understatement. <b>--<em>The New York Review of Books</em></b></p><p>"Compelling, inevitable, and, much like the village, easy to get lost in. <em>That Time of Year</em> is a hypnotic novel about the spell cast by a village on its inhabitants, willing and otherwise." <em><b>--Foreword Reviews</em></b></p><p>"NDiaye is writing a literature both innovative and incredible." <em><b>--The New Republic</em></b></p><p>"[NDiaye's] inspiration lies not in the real world but in nightmares." <b><em>--The New York Times</em></b></p><p>"NDiaye is a rare novelist." <b><em>--NPR</b></em></p><p>"[NDiaye] is an impressive stylist with a strong voice." <b><em>--San Francisco Chronicle</b></em></p><p>"If any contemporary European writer is on the verge of Ferrante-like recognition, it's NDiaye." <em><b>--Flavorwire</em></b></p><br>
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